Skip to main content

Featured

(e)Book – Love and friendship

  (e) Book –  Love and friendship Full title :  Love and friendship and other early works Author : Jane Austen Score : /10 Year : 1790 (original) ; 2012 (this edition) Publisher : Duke Classics   ISBN  978-1-62012-155-9  // 9781620121559  (ebook)  Pages :  Language: English Jane Austen is best known for her 6 novels, which all have been adapted into tv movies - but after having read Virginia Woolf's short fiction in chronological order, I decided to apply the same for Austen's publications, to better appreciate her growth and evolution in narrative style. So, before reading her novels which were released from 1811 to 1817, in the following order :  Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma,  Northanger Abbey, Persuasion, I decided to go back to her teenage years, reading Love and Friendships, and other early works.

Movie: Torn curtain



Movie: Torn curtain
Score: 5/10
Director: Alfred Hitchcock
Country : USA
Language : English
Duration: 2h08 (I saw a 2h02 version on a French edition DVD)  

Torn curtain is a bit of a torn movie. Indeed, I feel that Hitchcock’s 50th movie (my 22nd I believe) is both enjoyable, yet not completely. The story isn’t all that uncommon; only the master of suspense managed to keep me seated watching it out of fidelity and curiosity, created at the very early stages of the movie.  

There are just too many wrong things in this movie... Right from the intro which should be redone…it's just tasteless like a cookie you dropped in your tea and left there for hours... 

I disliked the colors, however. First, most of Julie Andrews' wardrobe was too subdued, brown or grey, like the general sensation from the décor and locations… everything was just too grey, too sad, and in Julie’s case, it made her look older than she really was, especially with her hair. It’s too bad, because she’d look absolutely lovely in pastel blues! I think these were the biggest mistakes and I wish Alfred had gone boldly over the 1960’s colors to more pastel or vivid ones, depending on the parts. He didn’t ask me! He chose mud all over his film here, with zero contrast between East Berlin  - where it's logical to see these colors-  and Copenhagen, nor between outdoors and indoors ; everything is just to drab. 

Paul Newman played his part ok, but not great ; he obviously didn't like this role, as it shows throughout the movie. he did the minimum required, but didn't excell, in spite of specific scenes where he did go an extra mile. 
His chemistry with Julie Andrews just doesn't convey enough ''relationship''. Maybe they hated one another? Their lovemaking segment was badly directed, hiding them too much, when they are both naturally so pretty. Why Hitch hasn't capitalized on these two sexy people and boldly break taboos like he had done in many previous movies is just beyond me... 

In spite of slow moments, the pace was overall well done. I enjoyed the off center camera angles on many scenes and the general feel of the story was ‘’this could have happened indeed’’, but as too many times, I felt the music wasn’t the best. I have difficulties accepting certain choices Hitch made for his movies; it didn’t totally suck in this one, but it did have a few silly or overstated moments. 


I disliked the fur one character wears, like in many old movies, and in many Hitchcock's as well. This isn't a new problem, indeed. I disliked all her appearances, in fact, not only because of her wardrobe, but all because I didn't find any of it believable and poorly directed in these segments. 

There is also the issue of a portion where a crowd leaves a room in an unrealistic panic, that Alfred left for too long without ANY character pointing to the obvious lack of real cause...

In spite of all these negative aspects, some good ones are woven, like those camera angles I mentioned above, and the one rather gruesome, bloody, murder/death scene filmed in a very original way, which makes up, partially, for the missup. If you never watched it, you should see it, for this one bit, and also for a certain cool segment in a bus, which was very well done, and with an Alfred Hitchcock presents kinda feel:  with a lot of humor (intended or not).

Torn curtain is basically a strong PG13, verging on rated R for a few minutes, almost halfway through the feature. Actually, I think your kids shouldn’t watch it anyway, this is an adult topic, with spy/spies, the cold war, and some sexual references (no nudity, though). 

It showed a lot of promise, and this is one instance where I believe it should be remade but set in its proper historical area of the cold war, instead of modernizing it. Psssttt, maybe some studios will listen and commission a new project? 

Comments