The play and this movie adaptation (one of many, you'll see this further down this review) deals with the fate of a married woman, who at the time in Norway lacked opportunities for self-fulfillment in a male-dominated world. Nora's husband withholds access to many things in their home ; he also infantilizes her, and many times, abusive.
This movie also deals with the question of her identity, symbolized by the very title and her life : Nora's like a doll, taking first her father's ideas, and then her husband's, but lacks a full-fledged identity as a person, as a woman.
Sadly, 48 years since the movie elapsed, 142 since the original play, and the realities portrayed in the movie are, in many parts, still valid to this day, which is scary and frustrating alike.
I love the symbolism towards the end of the movie, one fateful Christmas/end of the year masked ball, the masks finally coming off to reveals harsh truths.
As a UK-Franch coproduction tv-movie, and rather low-budget from 1973, it's alright in quality. Its best aspects are acting from David Warner, Jane Fonda and Delphine Seyrig, and the storytelling.
On the other hand, cinematography and music don't stand out in any way, but are alright nonetheless. I do wish the passage of time was better marked.
The sound quality was rather poor, either due to the film's age, and/or transfer quality to the French DVD (EAN 3760121807106) borrowed at our library.
I love the feminist tale and overall pace of this film and recommend it.
Also starring : Trevor Howard, Edward Fox, et al. Full list linked in the movie specs above.
NB Ibsen's play had been adapted at least 8 times into films, as early as 1922 (a now-lost American Silent film, directed by Charles Bryant), the 8th in 2016. This includes both 1973 versions, this current, directed by Losey, and Claire Bloom's which was an American production. As a result, they actually both suffered commercially.
Additionally, 4 tv adaptations from 1959-1992, 3 radio ones in 1938, 1947 & 2012, 5 restaging which don't sound interesting to me, altering the entire premise, reducing the feminist aspects.
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